Heres a recent table set up for a Vi gig at the Arnolfini, Bristol, England. Supporting David Grubbs
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Found this logo in an old Cinematographer magazine from the 70’s. Think it would be a good logo for Nachleben
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Extremely pleased to be offered the Imperial War Museums Debrie 35mm step printer. This machine was built in the 1930’s and has been used by IWM to transfer all their Nitrate films to safety film.
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We did a lightshow on Saturday in Brimingham at the BMI. We made a few new tricks including use of rank tutors and getting colour from nothing on the OHPs with polarising filters. Here is a picture of another new thing using carousel projectors and restricted light. …
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Amsterdam March 31st – April 3rd 2014 The future of Cinema may well look like the EYE in Amsterdam. All windows, views, vistas, angles, exploded shapes, discovery, a perfect staging of Cinema and Architecture. Once in Cinema 1 though its clear that the basic same arrangement is the same wherever …
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Heres the light show as we ended up setting it up. On several tables infront of the stage, effectively as the front row. Operating the OHPs meant standing up and this probably caused some obstruction to visibility for some of the audience. At the bottom left of the picture is the 16mm modified to hand cranked which featured in the …
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Holding up in woodbridge at the half way mark for the tour. Its been impossible to blog because of time restraints, internet scarcity and mammoth workload and show schedule. I can offer here but a mere sample of this tour in photo form. Its been an amazing journey so far, mentally, emotionally, phsyically, creatively. Erica, Matt and Tall have been …
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Here are some images of stuff in studio in preparation for the MV / EE tour which we start next week. I will be posting blogs for each show hopefully. Our basic set-up consists of 4 x kodak 35mm slide projectors on dimmers, 2 Epidiascopes using various lights/lamps as projections, a prism beam splitter and prism (in reverse), 2 OHP …
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Robert Fludd was an English mystic. I use his name as a nom de plume when writing for the Cube Blog in order to add gravity to otherwise trivial undertakings. http://blog.cubecinema.com/category/robert-fludd/
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Here are some frame grabs from Esther Campbells film working of a James Blackshaw track. Was shot on an Arri for first 2 days, then I used a Bolex on the last day. I will post a link to the finished piece when its available. Really happy with the results especially this shot where we crane down from high in …
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