Name Graeme Hogg DOB 22/04/67 --------------------------------------------------------------------------- 1998 - present Director and Founder of Cube Cinema, Bristol since 1998. The project was principally an attempt to investigate how a Cinema space might be run by artists with very different concerns to chain or even independent picture houses which deal with industry and public funds. With freedom to move in any direction and limited only by what is impossible the Cube has grown from strength to strength. http://www.cubecinema.com --------------------------------------------------------------------------- Recent Work 2006 FAD - Feasibility And Development. Quartet Community Foundation and ALIAS supported research on future of Cube Cinema. VI at Tollgate House. Commission by Broadmead development. Live sound and visual performance. Short Films for Annabel Others 'Alias Encounters' events. Trailer Trash - Short film production concept at Cube. ACESW funded Nanoplex. Education research at Cube Cinema. ACESW funded. Planning 'Frontiers' visit to abandoned village in Bulgaria. NAN aplication. Curating 'Micro The Plex' collection of active Cube volunteers artistic work including Heath Bunting, Kate Rich, Kayle Brandon, Kyra Norman, Kari Nygaard, David Hopkinson , Myself. Plannin VI 'sonic landscape' tour of the Bristol Channel. PRS funded. --------------------------------------------------------------------------- Recent Creative Randon selection of works. imPROVIDE was an 8 day festival held at the Cube cinema concentrating on improvised music. It hopes to continue with 'The Kavalier Club' a regular event with workshops and concerts aiming to promote and support improvised based music and sonic artists. Vi, vaught increment is a sonic performance project employing improv techniques with electronic and signal generating equipment, 8 live concerts to date Heli1 is a project with B.I.T (Bureau of Inverse Technology). I am the pilot and engineer on a remote observation vechile facility, ie radio controlled helicopter. The aim is to make unmanned recon' flights over politically or non-civilian land to gather vidual data. 5 5tar War5 was an experimental cinema presentation exploiting a 5 film network for the purposes of an entertainment crash. With the 6th film out now it only remains to stage the 'Sith Star Wars'. HalFFrame is a project employing inexpensive cameras to build short motion picture pieces for exhibition solely in cinema spaces. --------------------------------------------------------------------------- 1996-1997 Club Rombus ran from January 1996 to November 1997. Although shortlived it provided a unique social environment by never advertising, reliance on networking, use of a large warehouse loft, and most importantly presenting a series of programmed nights of experimental and unusual films with live improvised music. 1996-2001 Various Artists Commissions Cube FAQ http://www.cubecinema.com/faq funded by Arts Council Of England. Text and physical document for CODE conference, Cambridge 2001. Adrift Rotterdam Adrift festival funded by V2, Rotterdam, Netherlands Participation as myself with Heath Bunting and Kate Rich, 2001. Thousand Years Of Cinema SWMDA commission for experimental screenings with live sonic output. Held at the Cube Cinema in February 1999. New Music Scores New music commission for improvised scores to silent films. Funded by South West Arts. 1997. 8 X 8 A spoof of the 10 x 10 scheme run by the BBC. 8 x 8 involved installing myself as a commissioning body and funding 8 artists who were working with super 8mm film. Funded by the Lottery. 1997. Crow/Pylon Configuration Winner of 1995 HTV/SWMDA experimental film award. The work was filmed on super 8mm and combined in twin screen mode on tape. It recieved several terrestial TV transmissions. 1995. --------------------------------------------------------------------------- 1992-1997 Theatre, Community and Carnival I have worked as a designer, maker and performer on many carnivals; specialising in Stilt use. I have been commissioned by carnival groups like 'Academicos De Madureia' for Notting Hill carnival (twice) and SWICA (South Wales Intercultural Community Arts) for carnivals from 1992-97. I have also worked with Peter Minshalls company 'Calico Arts' in Trinidad for the 1997 carnival. My experience with communities especially through work with SWICA is extensive and has involved training, coaching and performance with all ages generally though the agency of Carnival.